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・ Howard Odum
・ Howard of Effingham School
・ Howard Okey
・ Howard Olney
・ Howard Olson
・ Howard Opinsky
・ Howard Overman
・ Howard P. "Buck" McKeon National Defense Authorization Act for Fiscal Year 2015
・ Howard P. Becker
・ Howard P. Boyd
・ Howard P. House
・ Howard P. Jones
・ Howard P. Robertson
・ Howard P. Savage
・ Howard P. Whidden
Howard Paar
・ Howard Pack
・ Howard Packett
・ Howard Palmer
・ Howard Panter
・ Howard Park
・ Howard Park Historic District
・ Howard Park P.S. 218
・ Howard Park Wines
・ Howard Park, Kilmarnock
・ Howard Parker Talman
・ Howard Parkes
・ Howard Parshley
・ Howard Passadoro
・ Howard Patterson


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Howard Paar : ウィキペディア英語版
Howard Paar
Howard Paar is a British Grammy Award nominee〔()〕 music supervisor who has worked on over sixty films and television series, most notably ''Monster'', ''Dogtown and Z-Boys'' (documentary film), ''Bully'', and ''The L Word'' (television).〔(【引用サイトリンク】title=Howard Paar )
==Life and career==
Paar first worked in Los Angeles as a club creator/DJ/promoter with such legendary artists as The Specials, The Clash, The English Beat, The Go-Go’s, The Psychedelic Furs, The Cure, The Bangles, Echo & The Bunnymen, and Lydia Lunch. Known for developing emergent new music scenes particularly ska and the Paisley Underground his club, The ON Klub, in collaboration with Sugarhill Records, was also the first locale to play a rap show in Los Angeles. He subsequently became an independent publicist representing clients including MTV, Ian Hunter, Mick Ronson, N.W.A, Bunny Wailer, Jimmy Cliff, Eric Burdon, Jimmy Jam & Terry Lewis, and Michelle Shocked while also booking a TV show that featured Russell Simmons and Run-DMC.
He went on to become Vice President, Media & Artist Relations at Polygram Records〔 working with a diverse range of artists including INXS, Def Leppard, Chuck D, Bon Jovi, Kiss, Vanessa Williams, Joan Osborne, James, The Robert Cray Band featuring the Memphis Horns and X before transitioning to the role of Vice President, Soundtracks at the same company. In this role, Paar worked on many soundtracks including The Coen Brothers’ ''The Big Lebowski'' and Gregg Araki’s ''Nowhere'', as well as placing numerous songs in films and creating opportunities for Polygram artists to write themes for TV shows including ''King Of The Hill'' and ''Ellen''.
Paar next joined Richard Branson’s V2 Records as Head of Film & TV where he worked closely with artists such as Moby until 1999 when he became an independent music supervisor. He continued to work with Moby whose album ''Play'', became the first in history to have media placement for all tracks. In 2001, Paar was nominated for a Grammy Award for the soundtrack for the documentary ''Dogtown & Z Boys''.
Paar continues to music supervise a wide range of critically acclaimed independent films including ''Monster'', ''Bully'', and ''Mysterious Skin'' as well as TV shows such as ''The L Word''. His work with a diverse range of film makers including Larry Clark, Quentin Tarantino, and Mark Waters have helped to earn Paar a reputation for independent vision and authenticity to character, time, and place.
A member of the Board for The ''Guild Of Music Supervisors'', Paar values opportunities to elevate music and visual media.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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